WELCOME TO MY PORTFOLIO!
Here, you’ll find a diverse collection of my video editing work and digital media projects. If you’re interested in hiring me for freelance opportunities, please head over to my contact page for inquiries and project quotes. I’m open to taking on new freelance projects unless otherwise noted. I'm also always open to fulltime employment opportunities and offers.
Feel free to reach out via email with any questions about my services, availability, or to discuss your project timeline. If you’d like to see more examples of my internal videos, please contact me privately for access to my Vimeo reel.
Feel free to reach out via email with any questions about my services, availability, or to discuss your project timeline. If you’d like to see more examples of my internal videos, please contact me privately for access to my Vimeo reel.
Art Credit: JankyBones
ANIMATIc editing REEL
Here's my reel for animation related projects. If this reel is password protected, please contact me for the password (accredited studios interested in hiring only).
VIDEO EDITING REEL
Here's my reel for all non-animated projects. If for whatever reason this video is password protected, please contact me privately for the password (accredited studios interested in hiring only).
IMPORTANT: Some full video examples of clips featured in my reel(s) can be found below in their respective section(s).
ASSISTANT ANIMATIC EDITOR
As an Assistant Animatic Editor, it's your job to play a key role in organizing, assembling, and refining rough edits of animatics before full production. You support the Animatic Editor(s) and production team by managing assets, syncing audio, and ensuring that scene timing aligns with the director’s vision.
I had the privilege of contributing to Emmy-nominated Invincible (Seasons 2 & 3) as well as The Atom Eve Special, assisting in the editorial process to help bring these projects to life. Here is some of the work that I've done on these projects.
I had the privilege of contributing to Emmy-nominated Invincible (Seasons 2 & 3) as well as The Atom Eve Special, assisting in the editorial process to help bring these projects to life. Here is some of the work that I've done on these projects.
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Invincible E307
Example of some scene labeling I did on Invincible. More scene labeling examples available upon request.
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Invincible E308
Very short SFX example of work I did on Invincible.
More SFX application examples available upon request. |
Invincible E308
Some WALLA that I applied on Invincible to help the animatic editor (Matt Michael) meet deadlines.
More WALLA application available upon request.
More WALLA application available upon request.
ANIMATIC EDITIOR
The examples below showcase animatics for which I served as the Animatic Editor.
Once the second and third seasons of Invincible and the online animated series Warriors: Into the Wild are officially released, I will add work from those projects to this section. In the meantime, accredited studios and recruiters may contact me directly to request additional work examples that are not currently available for public viewing.
Disclaimer: The Infinity Train animatic included here was created for a presentation at a local university to illustrate the role of Animatic Editors. Please note that it is fan-made and not associated with the show's production. The Invincible animatic is not official, but it is one that my supervisor on Invincible at the time assigned me to practice on. The assignment was to align the speech with what was happening on screen and add sound effects.
Once the second and third seasons of Invincible and the online animated series Warriors: Into the Wild are officially released, I will add work from those projects to this section. In the meantime, accredited studios and recruiters may contact me directly to request additional work examples that are not currently available for public viewing.
Disclaimer: The Infinity Train animatic included here was created for a presentation at a local university to illustrate the role of Animatic Editors. Please note that it is fan-made and not associated with the show's production. The Invincible animatic is not official, but it is one that my supervisor on Invincible at the time assigned me to practice on. The assignment was to align the speech with what was happening on screen and add sound effects.
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Note: The above example is not yet public. If you are a legitimate hiring agency, please contact me in private for the password.
ASSISTANT VIDEO EDITOR
The Assistant Video Editor plays a vital role in the collection and organization of b-roll, project preparation, and the application and identification of LUTs. Responsibilities also include logging footage within the metadata, delivering final assets to clients, creating string-outs, and occasionally implementing client feedback during the editing process to support the lead editor. Below are some projects where I have received credit as Assistant Video Editor.
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Video Editor / Junior Video Editor
I have over a decade of experience in video editing, beginning my journey as a self-taught editor using Windows Movie Maker for an eighth-grade school project. My enthusiasm for the craft quickly led me to outgrow that program, and by ninth grade, I was learning Adobe Premiere. This passion drove me to pursue a college education and ultimately a full-time career in the field.
I believe that timing and the effective use of relevant b-roll footage are crucial elements in every project. In 2021 and 2022, I had the opportunity to edit brand videos for both YouTube and Google, with a standout project being the International Women's Day 2022 video. The linked videos below include projects where I held the roles of Junior Editor or Editor.
I believe that timing and the effective use of relevant b-roll footage are crucial elements in every project. In 2021 and 2022, I had the opportunity to edit brand videos for both YouTube and Google, with a standout project being the International Women's Day 2022 video. The linked videos below include projects where I held the roles of Junior Editor or Editor.
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PROMOTIONAL & CREATIVE
Below are some promotional creative and asset edits I have completed over the years for practice or personal enjoyment. You can explore more of my personal, experimental and passion projects on my YouTube channel. Please note that some works are not publicly available.
Legal Disclaimer: These pieces are not official promotional works, and the footage and audio used are the property of their respective copyright holders.
Legal Disclaimer: These pieces are not official promotional works, and the footage and audio used are the property of their respective copyright holders.
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IMPORTANT
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. The characters and IP properties used in these videos belong to their respectful owners.
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. The characters and IP properties used in these videos belong to their respectful owners.
AFTER EFFECTS / MOTION GRAPHICS
In this section, you'll find a collection of my After Effects and motion graphics projects, showcasing my skills in animation and visual effects. These works demonstrate my ability to create dynamic and engaging content that enhances storytelling and brand messaging. I am also proficient in using and customizing premade templates to achieve professional results efficiently.
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Typography and motion graphics that I made for the official lyric video to the song 'Are We a Thing' by Jake Neutron.
Only my parts are included here, so the song is in bits and pieces. This lyrical video was debuted at Momocon 2025, and has yet to be officially posted to YouTube or any other social media account(s). |
Proud member of
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Editors Guild, Local 700
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INTERESTED IN WHAT YOU SEE?
If you are interested in hiring me for a long-term project or freelance work, please visit my Contact Page for inquiries and project-specific quotes. You can find flat-rate and base prices on my Freelance page; please note that prices may vary based on the complexity of the edit or specific requests.
For a detailed overview of my qualifications, including my resume, program proficiencies, and educational background, I have provided a downloadable PDF of my resume below. You can view examples of my video editing work on my YouTube channel, as well as additional projects linked above on this page. My Vimeo editing reel is also available upon request. Further recreational work can be found on my social media accounts, which are linked below.
For a detailed overview of my qualifications, including my resume, program proficiencies, and educational background, I have provided a downloadable PDF of my resume below. You can view examples of my video editing work on my YouTube channel, as well as additional projects linked above on this page. My Vimeo editing reel is also available upon request. Further recreational work can be found on my social media accounts, which are linked below.
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GENERAL |
ABOUT
Lea Carosella (aka Toon Ruins) is a Video Editor and Digital Media Specialist based on the East Coast. She graduated from Northwestern Connecticut Community College in 2019 with an Associates Degree in Fine Arts (Digital Media).
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SOCIAL MEDIA |
CONTACT
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© Toon Ruins / Lea Carosella 2024